about documentary.
Documentary work is about presence.
Projects unfold over time,
within real contexts.
They are shaped by proximity, attention and responsibility.
I do not aim to explain or complete a story.
The camera stays with what is there.
For me, documentary is not a genre —
but a way of working: restrained, respectful, aware of context.
Oświęcim
In May 2026, I photographed at the Auschwitz-Birkenau Memorial and Museum as part of an officially approved photographic project.
The work focuses on presence, silence, structure, and the traces left behind by history.
Rather than explaining, the images attempt to observe carefully and leave space for reflection.
Nigeria 2026
In January 2026, I took part in a humanitarian medical project in rural Nigeria, working both as a photographer and within the optical care team.
The photographic work focuses on presence, collective effort, and the quiet intensity of everyday moments inside a functioning humanitarian environment.
Rather than documenting spectacle, the images attempt to observe carefully and stay close to what was genuinely there.
oasis Manchester
In July 2025, I photographed in Manchester during the opening weekend of the Oasis reunion tour.
The work focuses on presence, anticipation, and the relationship between a city and the people gathering within it.
Rather than documenting the concert itself, the images attempt to observe carefully and stay close to the moments unfolding around it.
Tour de France
On July 17, 2026, I photographed Stage 19 of the Tour de France in Belmont, France. The work focuses on the relationship between the riders, the spectators and the atmosphere surrounding one of the world’s greatest sporting events. Rather than documenting the race itself, the images attempt to observe the shared experience that exists for only a few fleeting moments.
